Tag Archives: Readings

Miami CW’s First Event of 2016: Darrin Doyle

This past Monday evening, the Creative Writing Program kicked off this semester’s reading series with author Darrin Doyle. His most recent book, titled The Dark Will End the Dark (published in February 2015), is a collection of short stories that explore the human body and reason. Miami University professor Dr. Joseph Bates introduced Doyle; the two have been friends since they were in graduate school at University of Cincinnati together.

“You can just imagine what it was like to have these suckers coming at you in a workshop,” joked Bates, referring to Doyle’s work, which can often turn dark and disturbing.

Doyle first read a short story from Dark, entitled “Foot,” followed by a few different stories he is currently working on, entitled “Dangling Joe,” “Party Town,” “Possibilities and Considerations,” and “Perfect Sandwich.” “We always ask our students to share what they’re working on, so I think it’s only fair we do the same,” explained Doyle, who is currently a professor at Central Michigan University.

Author Darrin Doyle sits with and signs books for Miami University students after the reading.

Author Darrin Doyle sits with and signs books for Miami University students after the reading.

The pieces that Doyle read all explored different themes. “Foot” is a grisly fable-like tale of a mother’s devotion to her child. “Dangling Joe” is a satire of American society and media, while “Party Town” might resonate deeply with certain residents of Oxford. “Possibilities and Considerations” is an experiment in format that gives a wry, and at some times satirical, insight into life. “Perfect Sandwich” is the story of a man’s desperation to be good enough.

The audience, engaged and enthusiastic throughout the entirety of the reading, supplied no shortage of questions for Doyle, asking about his strategy for writing, influences for different works, and advice on writing a novel. “I’ve written, in the last year, about 23 of these short stories,” said Doyle, referring to his as-of-yet-unpublished works. “It’s weird when you start noticing [recurring] themes.”

When asked what his influences were while writing The Dark Will End the Dark, Doyle said, “Franz Kafka and Flannery O’Connor are two of my biggest influences. Their characters might have a physical ailment, [but] their souls are grotesque… Fairy tales, folk tales, and fables have always had their hold on me… I like the feeling of the surreal that’s grounded in reality.”

As for advice on writing, Doyle says, “It’s great when you’re inspired by an idea… but then you’ve got to sit down and write. One sentence leads to another, and hopefully you surprise yourself a bit.”

Miami Alumni Return for National Poetry Day

Sitting in the audience of the Alumni Poets Reading this past Thursday evening, I had the honor of listening to two very different poets read their original works. Listening to a poet read their own work is a wonderful way to begin to understand their writing – the movement is particular, and the exquisiteness of images, metaphors, and chosen words is communicated best by their creator.

The first alum to read w10-8 Hardyas Lesley Hardy, reading from her first book of poetry, Dreaming of Zeus. Hardy completed her undergraduate studies at Miami and went on to live in Tokyo for several years where she taught English and consulted for senior management in a large Japanese communications group company and in a Swiss luxury brand operating in Tokyo. Her past with
writing has been extensive and vast in range. She has written scripts, historical fiction, and short stories, some set in a university town in Ohio during various decades of the 20th and early 21st centuries. Dreaming of Zeus was published by Isobar Press, a Japanese press that specializes in English writing.

The first poems Hardy read were set in present day Ohio, but as her mythological title implies, the poems progressed into poems of Greek myth. She recites a poem that tells the story of Persephone, and another about her in a different light. Hardy’s choice of words was emphasized by her raspy voice; the combination is what made her poetry come to life. Hardy is a petite woman, but when she recited her poems her presence took up the entire room and captivated her audience.

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copyright Tasha Golden

The second poet was Tasha Golden, another alum who did her graduate work at Miami. She is more commonly recognized as the front woman and songwriter for the critically acclaimed band Ellery. Their songs have been heard in several movies and TV shows such as No Strings Attached and The Lying Game. She is currently pursuing her PhD at the University of Louisville where she researches the impact of the arts on stigmatized issues and leads creative writing workshops for incarcerated female teens – this alum does it all and more.

Golden read from her new and first book of poetry, Once You Had Hands which explores violence and sexuality in both intimate relationships and religion. Her poetry was whimsical in nature, but dealt with such harsh subject matter that the juxtaposition of the two opposites made for a great reading. Golden also had a very distinct voice; when talking before reciting her poems she was spunky and extroverted, bright-eyed and engaging the crowd. But when reading, she became quiet spoke in a tone filled with deep emotion. The most impactful moment was when Golden read a poem about dealing with her feelings towards God and then left a pause of stillness before going into another emotional poem. By pausing and going into another poem without stopping to speak or explain, her poetry spoke for itself and was so much louder and clearer than anything Golden could have said instead.

Maggie Ark
Professional Writing ’16

Department Events This Year

Creative Writing Department Events Poster

The Department is very excited to be hosting so many distinguished guests and speakers! This lovely poster lists all of the events during the year that the Creative Writing Department at Miami hosts, the next event being Chris Bachelder, author of U.S.! and Bear v. Shark, tonight at 7:30 in the MU Bookstore. You may want to get there a bit early, because it’s sure to be a full house.

Je Ne Sais Quoi: Miami’s Third Annual Translation Symposium

Translation, as mentioned by Kinsey Cantrell in the previous post, is generally seen as a service instead of an art, where the translator is simply rendering a poem into a different language. The assumption is that translation is as much an art as transcribing the words of someone else. However, as English Ambassador Abigail Mechley notes in her great article for the English Department, the practice of bringing a piece of writing from one language to another “insists on stretching language to its limit”.

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Guest speakers Rosa Alcalá and Erin Moure, respectively.

The Miami University Symposium on Literary Translation brought two distinguished speakers to campus for a two-part event – a Panel on Literary Translation, followed by a reading from their translated works. They, too, echoed the importance of translation. “I realized that there was a world that I understood through Spanish language that wasn’t being expressed in English, a way of thinking and a way of being in the world, and I wanted to capture this in English,” said Alcalá. Moure agreed, noting that translation is an ethical responsibility that allows readers to see their language and the world differently.  A huge thank-you to our guest speakers, and to everyone who attended the symposium!
To read more about the 2016 Miami University Translation Symposium, click here

A Visit from Alissa Quart

Just a week after Beth Harrison’s visit, we were graced by another New York-based writer, Alissa Quart. Last month, Miami University Press published Quart’s first book of poetry, Monetized. In celebration of her book’s publication, Quart paid us a whirlwind visit here in Oxford. You’d never guess it, but Monetized is her first book of poetry. However, it’s only the most recent addition to her list of commendable accomplishments. Quart is an Emmy-nominated multimedia producer, the author of three non-fiction books, a co-editor of a journalism non-profit called Economic Hardship Reporting Project, and a revered journalist, professor, and poet.

During her visit to campus, Quart agreed to attend an informal lunch with students. Because her work is so versatile, students from a variety of majors showed up to meet her and chat over Chinese take out. The students took advantage of the opportunity to pick her brain, and got a free lesson on how to write a hard-hitting piece of journalism. When asked how she manages to juggle so many projects at once, Quart said the key to staying motivated is having a lot to say. She feels an obligation to give voices to those who might not otherwise be heard, and that’s what keeps her chugging along.

Although her work as a poet is secondary to her other professional undertakings at the moment, Quart was a poet first. She was a bit of a poetry whiz as a kid, and she won poetry contests while in grade school. Poetry used to be her “thing.” But, being as multi-talented as she is, Quart was drawn to other artistic pursuits after entering college. Now, she says she writes poetry to help her make sense of her emotions. Much of her journalistic work focuses on topics like economic hardship, parenting, mental illness, and urban living. As you can imagine, there are ugly sides to all of these topics. Quart says that much of the poetry in Monetized evolved from notes that she’d scribble down while working on other projects. Poetry allows her to vent when she’s feeling the feels.

Quart is a commanding public speaker, and she oozed confidence when reading from Monetized. The audience was mesmerized. She read to a full house at the Miami University Bookstore.

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To say that Alissa Quart is busy would be a massive understatement. You’d have a hard time convincing us that she even has time to sleep. We were so pleased to have her here and grateful for the time she devoted to us. If you want to know what all the fuss is about, you can order a copy of Monetized by clicking here.